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Frederick Viner
United Kingdom
Приєднався 2 гру 2012
Welcome to the UA-cam Channel of Frederick Viner, award-winning composer/pianist based in the UK.
Viner's music has received many accolades. In 2015, he won the Ebor Organ Prize and in 2016 he took 1st prize in the RNS 'Mozarts of Tomorrow' competition. In 2017 Viner won three more awards: 1st prize in William Howard’s Love Song Competition; the Henfrey Composition Prize; and the prestigious NCEM Young Composers Award.
Between 2017-19 Viner was composer in residence at Eton College, during which time he worked on several commissions, including by Choir & Organ Magazine and Orchestra for the Earth; he also had performances by the RTWSO and the Chapel Choir of Selwyn College.
In 2020 he was awarded a further two prizes: the STR Music Composition Prize and the Lefanu Prize. Recently, his piano music has been performed worldwide by distinguished pianists such as Paul Barton and Vadim Chaimovich.
Frederick is open to collaboration and commission - please contact below! 👇
Viner's music has received many accolades. In 2015, he won the Ebor Organ Prize and in 2016 he took 1st prize in the RNS 'Mozarts of Tomorrow' competition. In 2017 Viner won three more awards: 1st prize in William Howard’s Love Song Competition; the Henfrey Composition Prize; and the prestigious NCEM Young Composers Award.
Between 2017-19 Viner was composer in residence at Eton College, during which time he worked on several commissions, including by Choir & Organ Magazine and Orchestra for the Earth; he also had performances by the RTWSO and the Chapel Choir of Selwyn College.
In 2020 he was awarded a further two prizes: the STR Music Composition Prize and the Lefanu Prize. Recently, his piano music has been performed worldwide by distinguished pianists such as Paul Barton and Vadim Chaimovich.
Frederick is open to collaboration and commission - please contact below! 👇
How I Wrote My Most Complex Piece
Four years ago, before youtube became an outlet for my nerdy ramblings and anti-‘Fur Elise’ propaganda, I embarked on the most ambitious creative project of my life: to compose a set of four piano etudes. Rather than focusing on specific areas of pianistic technique, such as scales, arpeggios, parallel thirds etc., each work would focus on a different compositional technique, as well as a range of extra-musical imagery and metaphor, like astronomy and meditation.
The first of the set, subtitled ‘Mirie it is’, is based on Ligeti’s concept of tempo fugue - a style of counterpoint in which voices sound at different speeds to create the effect of simultaneous different tempi. Getting to grips with this technique was an absolute nightmare and ‘Mirie it is’ ended up being the most time-consuming and complicated piece I’ve ever attempted.
In today’s video I’m going to tell you how I wrote it; in the process, we’ll explore tempo fugue and maybe even equip you with the tools to compose your own…
1) Intro - 0:00
2) A New Approach - 1:04
3) Automne à Varsovie - 3:45
4) So you want to write a tempo fugue? - 5:28
5) Adapting Tempo Fugue - 8:36
6) How did it turn out? - 10:39
7) Conclusions - 14:53
Many thanks to the following musicians who kindly gave permission for their recordings to be featured:
1. Daniel Kuehler - Messiaen Prelude no. 5: ua-cam.com/video/65dONiidXv0/v-deo.html
2. Martin Ivanov - Liszt Transcendental Etude no. 4, 'Mazeppa': ua-cam.com/video/mbObRrHieUo/v-deo.html
3. Paul Barton - Chopin Op. 10 no. 2: ua-cam.com/video/C7PaDwFwTSU/v-deo.html
4. Simon Karakulidi - Ligeti Etude no. 1, 'Desordre': ua-cam.com/video/dMeFCsMDy8M/v-deo.html
5. Denis Zhdanov - Ligeti Etude no. 16, 'Pour Irina': ua-cam.com/video/MM7eJrO_0yE/v-deo.html
6. Dmytro Choni - Ligeti Etude no. 5, 'Arc-en-ciel': ua-cam.com/video/qKMryWewNC4/v-deo.html
7. Imri Talgam - Ligeti Etude no. 6, 'Automne à Varsovie': ua-cam.com/video/7tjhPYof76E/v-deo.html
8. TENET Vocal Artists - 'Mirie it is': ua-cam.com/video/Gda_cbbheQk/v-deo.html
9. Vadim Chaimovich - Viner 'Something She'd Like' :ua-cam.com/video/mmmXxcTRRo0/v-deo.html
Listen to the four etudes: ua-cam.com/video/6dxe7NAOqHc/v-deo.html
frederickviner.com/
www.buymeacoffee.com/FredViner
The first of the set, subtitled ‘Mirie it is’, is based on Ligeti’s concept of tempo fugue - a style of counterpoint in which voices sound at different speeds to create the effect of simultaneous different tempi. Getting to grips with this technique was an absolute nightmare and ‘Mirie it is’ ended up being the most time-consuming and complicated piece I’ve ever attempted.
In today’s video I’m going to tell you how I wrote it; in the process, we’ll explore tempo fugue and maybe even equip you with the tools to compose your own…
1) Intro - 0:00
2) A New Approach - 1:04
3) Automne à Varsovie - 3:45
4) So you want to write a tempo fugue? - 5:28
5) Adapting Tempo Fugue - 8:36
6) How did it turn out? - 10:39
7) Conclusions - 14:53
Many thanks to the following musicians who kindly gave permission for their recordings to be featured:
1. Daniel Kuehler - Messiaen Prelude no. 5: ua-cam.com/video/65dONiidXv0/v-deo.html
2. Martin Ivanov - Liszt Transcendental Etude no. 4, 'Mazeppa': ua-cam.com/video/mbObRrHieUo/v-deo.html
3. Paul Barton - Chopin Op. 10 no. 2: ua-cam.com/video/C7PaDwFwTSU/v-deo.html
4. Simon Karakulidi - Ligeti Etude no. 1, 'Desordre': ua-cam.com/video/dMeFCsMDy8M/v-deo.html
5. Denis Zhdanov - Ligeti Etude no. 16, 'Pour Irina': ua-cam.com/video/MM7eJrO_0yE/v-deo.html
6. Dmytro Choni - Ligeti Etude no. 5, 'Arc-en-ciel': ua-cam.com/video/qKMryWewNC4/v-deo.html
7. Imri Talgam - Ligeti Etude no. 6, 'Automne à Varsovie': ua-cam.com/video/7tjhPYof76E/v-deo.html
8. TENET Vocal Artists - 'Mirie it is': ua-cam.com/video/Gda_cbbheQk/v-deo.html
9. Vadim Chaimovich - Viner 'Something She'd Like' :ua-cam.com/video/mmmXxcTRRo0/v-deo.html
Listen to the four etudes: ua-cam.com/video/6dxe7NAOqHc/v-deo.html
frederickviner.com/
www.buymeacoffee.com/FredViner
Переглядів: 11 040
Відео
This Chopin Sonata Is Cleverer Than You Think...
Переглядів 29 тис.4 місяці тому
Join composer Frederick Viner as he delves into Chopin's 3rd sonata and a particularly clever (and possibly accidental) characteristic of its themes. 1) Intro (Chopin 3) - 0:00 2) Educational Abominations - 1:14 Beethoven 'Waldstein' - 1:20 Mozart 16 - 1:36 Beethoven 1 - 1:47 3) Two Sides of the Same Coin - 2:10 Haydn 53 - 2:16 Beethoven 'Appassionata' - 2:36 4) Dodgy yet Catchy- 3:06 Chopin 2 ...
The Catchiest Piece You've NEVER Heard Of
Переглядів 16 тис.5 місяців тому
Great music stands the test of time...sometimes. Join composer Frederick Viner as he investigates and performs the brilliant third movement of John Ireland's neglected 'Sonatina'. 1) Intro: 0:00 2) Performance: 2:00 Discover the piece for yourself here (including the equally astonishing 1st and 2nd movements) at IMSLP: petruccimusiclibrary.ca/files/imglnks/caimg/e/e5/IMSLP267738-PMLP433707-Irel...
2 Pieces for One Hand (2021), performed by Vestard Shimkus | Frederick Viner
Переглядів 2,3 тис.6 місяців тому
1) 'Right Away' for piano right hand: 0:00 2) 'One-Liner' for piano left hand: 1:40 Performed by 'the' Vestard Shimkus (@meervieniiba) Shimkus 22 Dec, 2022, Latvia. Watch Vestard's incredible live performance here: ua-cam.com/video/875PRZlcuTI/v-deo.html Buy the sheet music (sold together and separately): 385056.e-junkie.com frederickviner.com www.buymeacoffee.com/FredViner
When Scriabin Broke Tonality
Переглядів 3,6 тис.7 місяців тому
Donic? Tominant? Watch the full video: ua-cam.com/video/rmrwXmRISEI/v-deo.html Scriabin's Op. 57 no. 1, 'Desir', performed by @DenZhdanovPianist frederickviner.com/ www.buymeacoffee.com/FredViner
This Is Why I Love Early-20th-Century Music...
Переглядів 12 тис.7 місяців тому
Join composer Frederick Viner and pianist Denis Zhdanov@DenZhdanovPianist as they offer their perspectives on four different early-20th-century works. Intro - 0:00 1) Scriabin: 'Desir', Op. 57 no. 1 - 0:49 Denis - 1:20 Fred - 3:50 2) Villa-Lobos: 'O Polichinelo' - 5:18 Fred - 5:31 Denis - 6:47 3) Gershwin: Prelude no. 1 - 8:59 Fred - 9:20 Denis - 10:45 4) Ravel: 'Ondine' - 11:54 Fred - 12:39 De...
Chopin's Most Complex Rhythm (and How to Play It)
Переглядів 143 тис.10 місяців тому
Join composer Frederick Viner and pianist Cordelia Williams as they explore Chopin's most complex rhythm from both analytic and performative perspectives. Subscribe to Cordelia's Channel: @CordeliaWilliams Intro - 0:00 Analysis - 0:43 How to play it - 2:10 Step 1 - 2:38 Step 2 - 3:40 Step 3 - 4:51 So, how useful is the analysis? - 5:42 Outro - 7:05 frederickviner.com/ www.cordeliawilliams.net/ ...
FOUR ETUDES for piano (2020-22) | Frederick Viner
Переглядів 6 тис.11 місяців тому
In late 2019 I set out to compose four piano Etudes as part of my doctoral research. Rather than focusing on specific pianistic patterns (scales, arpeggios, thirds etc.), I instead explored a variety of different compositional techniques and imagery, ranging from Ligeti's 'Tempo Fugue' concept in the 1st to astronomical and meditative metaphors in the 2nd and 3rd. The 4th, ‘Toccata’, serves as ...
Etude No. 4: 'Toccata' for piano (2022) | Frederick Viner
Переглядів 2,9 тис.11 місяців тому
In late 2019 I set out to compose four piano Etudes as part of my doctoral research. Rather than focusing on specific pianistic patterns (scales, arpeggios, thirds etc.), I instead explored a variety of different compositional techniques and imagery, ranging from Ligeti's 'Tempo Fugue' concept in the 1st to astronomical and meditative metaphors in the 2nd and 3rd. This 4th and final Etude, 'Toc...
Chopin's Favourite Chord
Переглядів 22 тис.11 місяців тому
Ever wondered what makes Chopin sound like...well, Chopin...? Played by legendary pianist and friend of the channel, Paul Barton - ua-cam.com/channels/-4HMv1j00QTebcFg4mV2DQ.html More analysis: ua-cam.com/play/PLPlnfI29fmhOi4BPb_HiyqAu-z7zOEc_Z.html frederickviner.com/ www.buymeacoffee.com/FredViner
'Keeping On' - 5 Pieces for Piano (2021-22), performed by Denis Zhdanov
Переглядів 3,6 тис.Рік тому
'Keeping On' - 5 Pieces for Piano (2021-22), performed by Denis Zhdanov
5 Breathtaking Nocturnes NOT by Chopin (ft. Lowell Liebermann)
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5 Breathtaking Nocturnes NOT by Chopin (ft. Lowell Liebermann)
'Night Air' for piano (2022), performed by Charles Szczepanek | Frederick Viner
Переглядів 1,9 тис.Рік тому
'Night Air' for piano (2022), performed by Charles Szczepanek | Frederick Viner
'Coffee To Go' for piano (2022), performed by Mami Shikimori | Frederick Viner
Переглядів 6 тис.Рік тому
'Coffee To Go' for piano (2022), performed by Mami Shikimori | Frederick Viner
The Most Beautiful Passage From Every Chopin Nocturne
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The Most Beautiful Passage From Every Chopin Nocturne
'Riverwalk' for piano (2022), performed by Paul Barton | Frederick Viner
Переглядів 3,5 тис.2 роки тому
'Riverwalk' for piano (2022), performed by Paul Barton | Frederick Viner
'All That's Left' for piano left hand (2018), performed by Simon Callaghan | Frederick Viner
Переглядів 3,4 тис.2 роки тому
'All That's Left' for piano left hand (2018), performed by Simon Callaghan | Frederick Viner
Gould Rewrites 'Clair de Lune' (Transcribed)
Переглядів 67 тис.2 роки тому
Gould Rewrites 'Clair de Lune' (Transcribed)
Another 5 Pieces to Play Instead of 'Für Elise'
Переглядів 10 тис.2 роки тому
Another 5 Pieces to Play Instead of 'Für Elise'
'We Three Kings' - Advanced Piano Arrangement
Переглядів 3,1 тис.2 роки тому
'We Three Kings' - Advanced Piano Arrangement
'Winter Waltz' for piano (2021), performed by Jill Morton | Frederick Viner
Переглядів 3,2 тис.2 роки тому
'Winter Waltz' for piano (2021), performed by Jill Morton | Frederick Viner
'Carol of the Bells' - Advanced Piano Arrangement
Переглядів 6 тис.2 роки тому
'Carol of the Bells' - Advanced Piano Arrangement
When Rubinstein Overcame a Memory Lapse Mid Performance
Переглядів 463 тис.2 роки тому
When Rubinstein Overcame a Memory Lapse Mid Performance
How Rachmaninoff Writes a Melody | Piano Concerto No. 2 Analysis
Переглядів 102 тис.2 роки тому
How Rachmaninoff Writes a Melody | Piano Concerto No. 2 Analysis
The poor posthumous C Minor Nocturne gets slighted again. 😥
4:23 No matter how many times i hear this, i feel like i have to cry. Op 9 No 3 Underrated
13:16 is my reaction first time hearing the cadenza
Gershwin is merely popular
So beautiful!
the meme at the end 💀
Liszt mephisto polka be like:
This is more of a sonata than a set of etudes.
The Poulenc was 🔥🔥
Outstanding advice.
I come back to this video once in a while because I love the way Etude 3 is notated. Super clear exactly what the intent was in each section, and surprisingly easy to read
Liszt’s Romance s.169 is so underrated and is one of my piano favorites 😔
The middle section does indeed feint toward the Tristan chord. Three of the four pitches are borrowed from it.
Bartok's Concerto for Orchestra is a famous one, as noted earlier. In a similar vein, Peter Schickele's "Last Tango in Bayreuth" for four bassoons spends a fair bit of its energy mocking Tristan. More explicitly, Don Giovanni has three consecutive quotations from other compositions, the one from The Marriage of Figaro beating out the other two.
🖐️
First one reminds me a bit of Szymanowski. I enjoyed your music a lot! 😁👌🏼
Even tho personally op. 37 no. 2 is my favorite nocturne, I think your picks are really good
Piano Vaati
8:00 oh my god i never realized this.. just immediately teared up while hearing this.. how did i never notice it?
Humour me for a moment, please. I love classical music, especially Debussy, but do not play an instrument nor read music, can someone explain ? thanks.
This video is amazing, and it shocks me how people can write stuff that is SO complicated and still sounds good... You did a fantastic job at this piece, please keep composing!
Scriabin 3rd Sonata always amazing, nos4 and 5 each really world's apart.I think similarity is because of the practice if the time .Melodyand harmonic progressions beforeDebussy,Ravel,Wagner always have a certain route so I,Iv,V and the other limited schema will easily be superimposed barring middlevoicing and subthematic material doesnt clash.WithMozart time chromaticism became so obtrusive this becomes difficult. Perhaps going back to Byrd,Purcell,Monteverdi we might find more pertinence.
What is the name of this piece?
You could have titled this whole thing “simple enough… except, not really” haha. The 3-3-5-7 sounds like there are at least 3 people playing 🫠
wait untill he finds out about sorabji
John fields nocturnes are all also super great
thank you so much for your video, i wish i had half your knowledge in analysing music! Chopin's nocturne are more than piano pieces now, they're part of history. One of my favorite is op 32 n 2, its overlooked because of its simplicity, but its also the reason i love it so much, it feels like a walk in a beautiful garden, the melody is uplifting yet there's such melancholy in it, i find it hard to describe
what about alkan's
The first one is really good, very original and refreshing! Loved the performance as well :)
It looks like a kid bumping into a piano. Why exaggerate the complexity if the piece is not audible? If you want to know whether a "classical" piece is good or awful, in that kind of case, simply try counting the number of "fff" and "ppp" on one sheet.
'if the piece is not audible'? Try turning up your speakers. And this isn't a 'classical' piece (ie in the style of the classical period) so I suppose your nonsensical dynamics theory doesn't apply.
@@FrederickViner Take any virtual piano and stumble on it; it's almost the same stuff. The difference is that you organize what notes the kid will bump into. It can be a good experience, for sure. But the last thing this is, is listenable.
@@MchwarzTell me you don’t understand the composer’s intentions without telling me you don’t understand the composer’s intentions
@@kgroveringer03 A lot of "intentions" doesn't matter since it sounds like scattered notes with no destination and without a good structure (like in music). This may demonstrate a deep understanding of theory, but it lacks a stable rhythm and a good melody. That's my opinion, so screw it.
Maybe think twice before announcing your tone deafness to the world. If you really can't hear the difference between my piece (which consists of a highly conspicuous tune, among other obvious features) and 'a kid bumping into a piano' then you clearly weren't listening/don't have the ability to listen.
5:11 is giving twilight zone
4:11 didn't also chopin do the same thing in the fourth ballade
This is absolutely fascinating! Love the sound too. Thanks for sharing!
I think it’s exciting having parameters for the music you write! When I personally started composing, I would enter music into a playback software not really knowing how it would sound, and get feedback when it played it back at me. Having rhythmic structures that lay out things with an abstract identity, it’s interesting what I pull from it, like a rorshach test.
Max Reger's Albumblatt Op. 44 No. 1 has a similar rhythm as Für Elise, it's really beautiful!
Fascinating and well articulated but unintentionally funny was, to my free UA-cam, a jazz ad entering just as you said 'and this is what that sounds like'!
The ads drive me mad. I used to listen to music exclusively on UA-cam, but since being interrupted by Tina Fey like 4 times during Mahler 9 I’ve moved to Spotify
@11:57, is the epitome of a glimmer of light at the end of the tunnel. This Nocturne is the most sublime of all piano music. Ohh Chopin, what have you done brother.
It's interesting how many of us composers are using this type of time variations, I used to know it as prolations (the renaissance term). I also love the use of different tempo leyers, polirrythns and polymeters. What does this say about our society's philosofical zeitgheist? It is an interesting reflection about the existence of different layers not by opposition but just by chance. I think that the correct term for a composition etude could be in the lines of "ricercare", like Bach used to name some works, it means research.
One interesting difference I see in your approach is that, unlike Ligeti, it seems that you chose to not maintain rhythmic proportionality between the layers. The lamento theme Ligeti used is rhythmically quite simple since it consists entirely of only 2 rhythmic elements: short notes and long notes. If you like, quarter notes and half notes. That made it easy to notate everything with an underlying pulse of 16th notes while still maintaining proportionality since the other layers would be 3:6, 5:10, 6:12, 7:14. The theme you chose it more rhythmically complex so, maintaining rhythmic proportionality using an underlying 8th note pulse would've been too complicated. But, if you had wanted to do it that way, one interesting thing to do might have been to take advantage of the fact that theme can be felt in 12/8, 6/4, or 3/2 and present the other rhythmic layers using triplets and duplets relative to the main pulse. It's a bit like what Ligeti did in the first movement of his Piano Concerto. Also, I thought the ending was very Schnittke-like. Insanity building up to an explosion followed by a very quiet fade out over a low bass.
Great. Always on the look out for new this level of pieces for my students.
In a strict perspective tristan name for chord or debussy name for scale is not appropriate.
"Simplicity is the highest goal, achievable when you have overcome all difficulties. After one has played a vast quantity of notes and more notes, it is simplicity that emerges as the crowning reward of art."
You are a great educator! I think you should talk more about musical form.